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Nonfiction

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Catch-As-Catch-Can

Catch-As-Catch-Can

Charlotte Armstrong

Hollywood Gothic

Hollywood Gothic

Blood Innocents

Blood Innocents

The Backup Men

The Backup Men

Endangered Species

Endangered Species

Wilde West

Wilde West

Walter Satterthwait

Accustomed to the Dark

Accustomed to the Dark

Walter Satterthwait

Flykiller

Flykiller

J. Robert Janes

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Dollmaker

Dollmaker

J. Robert Janes

Carousel

Carousel

J. Robert Janes

Silver Spire

Silver Spire

Robert Goldsborough

No Harm

No Harm

Confidentially Yours

Confidentially Yours

Charles Williams

The Marchand Woman

The Marchand Woman

The Hit and The Marksman

The Hit and The Marksman

Blood Line

Blood Line

Miss Lizzie

Miss Lizzie

Walter Satterthwait

The Hanged Man

The Hanged Man

Walter Satterthwait

Sandman

Sandman

J. Robert Janes

Mannequin

Mannequin

J. Robert Janes

Gypsy

Gypsy

J. Robert Janes

Wall of Glass

Wall of Glass

Walter Satterthwait

The Bloodied Ivy

The Bloodied Ivy

Robert Goldsborough

A Hard Light

A Hard Light

Practice to Deceive

Practice to Deceive

David Housewright

At Ease with the Dead

At Ease with the Dead

Walter Satterthwait

Stonekiller

Stonekiller

J. Robert Janes

The Devil's Redhead

The Devil's Redhead

The Deadly Pearl

The Deadly Pearl

Fashioned for Murder

Fashioned for Murder

George Harmon Coxe

The Better to Eat You

The Better to Eat You

Charlotte Armstrong

Kaleidoscope

Kaleidoscope

J. Robert Janes

Bellringer

Bellringer

J. Robert Janes

Half a Mind

Half a Mind

Dearly Departed

Dearly Departed

David Housewright

Parts Unknown

Parts Unknown

Death on Deadline

Death on Deadline

Robert Goldsborough

Black Knight in Red Square

Black Knight in Red Square

Stuart M. Kaminsky

With Intent to Kill

With Intent to Kill

George Harmon Coxe

Relentless

Relentless