Arkansas
Published by Grove Atlantic
“A tale of three young men who’ve taken one look at straight life and drop-kicked it . . . Picaresque, sly, bitterly funny, the novel hooks us at once.” —San Francisco Chronicle
Met with wide acclaim, Arkansas is a darkly comic debut novel written by John Brandon about a pair of drug runners, Kyle and Swin, set in the rural southeast. Drawing comparisons to a striking range of storytellers, from Quentin Tarantino and Mark Twain to Flannery O’Connor and Cormac McCarthy, John Brandon—an MFA graduate of Washington University who worked an array of odd jobs while writing the novel, including at a rubber factory and a windshield warehouse—delivers a tightly written, bitterly funny story that chronicles the monochromatic landscape of the American southeast and gives a glimpse into the mindset of his wildly troubled yet seemingly real characters.
“Brandon’s premier novel is a must for those who love the criminal and the stern, yet dark optimism of the existential. His vision of Arkansas is unique, his wit is sharp, and the sympathy he has for his characters is genuine. For all the dark alleys Brandon explores, both physically and psychologically, Arkansas’s power rests in its redefining and restructuring of the criminal’s only hope: family.” —PopMatters
Met with wide acclaim, Arkansas is a darkly comic debut novel written by John Brandon about a pair of drug runners, Kyle and Swin, set in the rural southeast. Drawing comparisons to a striking range of storytellers, from Quentin Tarantino and Mark Twain to Flannery O’Connor and Cormac McCarthy, John Brandon—an MFA graduate of Washington University who worked an array of odd jobs while writing the novel, including at a rubber factory and a windshield warehouse—delivers a tightly written, bitterly funny story that chronicles the monochromatic landscape of the American southeast and gives a glimpse into the mindset of his wildly troubled yet seemingly real characters.
“Brandon’s premier novel is a must for those who love the criminal and the stern, yet dark optimism of the existential. His vision of Arkansas is unique, his wit is sharp, and the sympathy he has for his characters is genuine. For all the dark alleys Brandon explores, both physically and psychologically, Arkansas’s power rests in its redefining and restructuring of the criminal’s only hope: family.” —PopMatters
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