<div>Literary criticism from the Nobel Prize winner on subjects from Dante to Dickens. Some one said: &ldquo;The dead writers are remote from us because we know so much more than they did.&rdquo; Precisely, and they are that which we know. Celebrated poet and playwright T. S. Eliot was one of the twentieth century&rsquo;s most influential literary critics. In Selected Essays, he compiled his most significant works of criticism and theory written between 1917 and 1932. Included here are what Eliot considered the best essays from The Sacred Wood; his essays on Elizabethan and Jacobean dramatists; Tradition and the Individual Talent; Dante; For Lancelot Andrewes; Homage to John Dryden; and many others. This expanded edition is annotated with footnotes and includes a biographical note about the author. &ldquo;Mr. Eliot is a master of critical exposition.&rdquo; &mdash;The New York Times</div>

Selected Essays, 1917–1932

<div>Famous for juxtaposing Eastern cultures with Western literary references, The Waste Land has been celebrated for its eloquence, depth of meaning, and numerous subtleties. Rich with allusions to the religious texts of Hinduism and Buddhism, ancient literature, and Eliot&rsquo;s own life, the poem continues to be admired and studied in higher education English literature courses. Quickly ascending to the status of literary classic, The Waste Land is widely considered to be Eliot&rsquo;s finest work, representing maturity in his style and confidence in both expression and research. This ebook has been professionally proofread to ensure accuracy and readability on all devices.</div>

The Waste Land

<div>An essential collection of classic poems by the father of modernist poetry. In the masterly cadence of T. S. Eliot&rsquo;s verse, the twentieth century found its definitive poetic voice, an incredible &ldquo;image of its accelerated grimace,&rdquo; in the words of Eliot&rsquo;s friend and mentor Ezra Pound. This twenty-four-poem volume is a rich collection of Eliot&rsquo;s greatest works&mdash;including the classic &ldquo;The Love Song of J. Alfred Prufrock&rdquo;&mdash;all of which unveil the desires, grievances, failures, and heart of modern humanity. This collection includes &ldquo;Gerontion,&rdquo; &ldquo;Burbank with a Baedeker: Bleistein with a Cigar,&rdquo; &ldquo;Sweeney Erect,&rdquo; &ldquo;A Cooking Egg,&rdquo; &ldquo;Le Directeur,&rdquo; &ldquo;M&eacute;lange Adult&egrave;re de Tout,&rdquo; &ldquo;Lune de Miel,&rdquo; &ldquo;The Hippopotamus,&rdquo; &ldquo;Dans le Restaurant,&rdquo; &ldquo;Whispers of Immortality,&rdquo; &ldquo;Mr. Eliot&rsquo;s Sunday Morning Service,&rdquo; &ldquo;Sweeney Among the Nightingales,&rdquo; &ldquo;The Love Song of J. Alfred Prufrock,&rdquo; &ldquo;Portrait of a Lady,&rdquo; &ldquo;Preludes,&rdquo; &ldquo;Rhapsody on a Windy Night,&rdquo; &ldquo;Morning at the Window,&rdquo; &ldquo;The Boston Evening Transcript,&rdquo; &ldquo;Aunt Helen,&rdquo; &ldquo;Cousin Nancy,&rdquo; &ldquo;Mr. Apollinax,&rdquo; &ldquo;Hysteria,&rdquo; &ldquo;Conversation Galante,&rdquo; and &ldquo;La Figlia Che Piange.&rdquo; This ebook has been professionally proofread to ensure accuracy and readability on all devices.</div>

Select Poems

<div>From a winner of the Nobel Prize in Literature, the twentieth-century drama that was called &ldquo;the finest verse play since the Elizabethans&rdquo; (The New York Times). This modern verse play by the author of The Waste Land, &ldquo;The Love Song of J. Alfred Prufrock,&rdquo; and other modern masterpieces deals with the problem of man&rsquo;s guilt&mdash;and his need for expiation through his acceptance of responsibility for the sin of humanity. It reveals the depth and versatility of a twentieth-century writer who excelled as both a poet and a dramatist. &ldquo;What poets and playwrights have been fumbling at in their desire to put poetry into drama and drama into poetry has here been realized.&rdquo; &mdash;The New York Times </div>

The Family Reunion

<div>The famed series of Trinity College and Johns Hopkins lectures in which the Nobel Prize winner explored history, poetry, and philosophy. While a student at Harvard in the early years of the twentieth century, T. S. Eliot immersed himself in the verse of Dante, Donne, and the nineteenth-century French poet Jules Laforgue. His study of the relation of thought and feeling in these poets led Eliot, as a poet and critic living in London, to formulate an original theory of the poetry generally termed &ldquo;metaphysical&rdquo;&mdash;philosophical and intellectual poetry that revels in startlingly unconventional imagery. Eliot came to perceive a gradual &ldquo;disintegration of the intellect&rdquo; following three &ldquo;metaphysical moments&rdquo; of European civilization&mdash;the thirteenth, seventeenth, and nineteenth centuries. The theory is at once a provocative prism through which to view Western intellectual and literary history and an exceptional insight into Eliot&rsquo;s own intellectual development. This annotated edition includes the eight Clark Lectures on metaphysical poetry that Eliot delivered at Trinity College in Cambridge in 1926, and their revision and extension for his three Turnbull Lectures at Johns Hopkins University in Baltimore in 1933. They reveal in great depth the historical currents of poetry and philosophy that shaped Eliot&rsquo;s own metaphysical moment in the twentieth century.</div>

The Varieties of Metaphysical Poetry

<div>The collected dramatic works of the Nobel Prize winner, from Murder in the Cathedral to The Elder Statesman. T. S. Eliot&rsquo;s plays&mdash;Murder in the Cathedral, The Family Reunion, The Cocktail Party (which won a Tony Award for its Broadway production), The Confidential Clerk, and The Elder Statesman&mdash;are brought together for the first time in this volume. They summarize the Nobel Prize winner&rsquo;s achievements in restoring dramatic verse to the English and American stages, an effort of great significance both for the theater and for the development of Eliot&rsquo;s art. Between 1935, when Murder in the Cathedral was first produced at the Canterbury Festival, and 1958, when The Elder Statesman opened at the Edinburgh Festival prior to engagements in London and New York, Eliot had given three other plays to the theater. His paramount concerns can be traced through all five works. They have been said to be closely related, marking stages in the development of a new and individual form of drama, in which the poet worked out his intention &ldquo;to take a form of entertainment, and subject it to the process that would leave it a form of art.&rdquo; What Mark Van Doren said, in reviewing Murder in the Cathedral, is true of all these plays: &ldquo;Mr. Eliot adapts himself to the stage with dignity, simplicity, and skill.&rdquo;</div>

The Complete Plays of T. S. Eliot

<div>Discover another side of the Nobel Prize&ndash;winning modernist poet: &ldquo;The imaginative dimensions of this [book] are altogether extraordinary&rdquo; (The Boston Globe). Hidden away for decades, this newly discovered trove of previously unpublished early works includes drafts of T .S. Eliot&rsquo;s poems such as &ldquo;The Love Song of J. Alfred Prufrock&rdquo; and &ldquo;Portrait of a Lady&rdquo;&mdash;as well as ribald verse and other youthful curios that reveal a very different man from Eliot&rsquo;s public persona. Edited by Christopher Ricks, its publication was hailed by the New York Times Book Review as &ldquo;perhaps the most significant event in Eliot scholarship in the past twenty-five years.&rdquo; </div>

Inventions of the March Hare

<div>This critique of modern society argues that culture must be organic, and cannot be planned or imposed. The word culture has been widely and erroneously employed in political, educational, and journalistic contexts. In helping to define a word so greatly misused, T. S. Eliot contradicts many of our popular assumptions about culture, reminding us that it is not the possession of any one class but of a whole society&mdash;and yet its preservation may depend on the continuance of a class system, and that a &ldquo;classless&rdquo; society may be a society in which culture has ceased to exist. Surveying the post&ndash;World War II world, Eliot finds evidence of decay in cultural standards in every department of human activity, and expects the phenomenon to continue. He suggests that culture and religion have a common root&mdash;and if one decays, the other may die too. In observing the superpowers of his day and the course of recent history, he reminds us that &ldquo;the Russians have been the first modern people to practise the political direction of culture consciously, and to attack at every point the culture of any people whom they wish to dominate.&rdquo; The appendix includes Eliot&rsquo;s broadcasts to Europe, ending with a plea to preserve the legacy of Greece, Rome, and Israel, and Europe&rsquo;s legacy throughout the last two thousand years. &ldquo;Behind the urbanity, the modesty, the mere good manners of Mr. Eliot&rsquo;s exposition, one cannot mistake the force and significance of what he has to say, or ignore that it constitutes a fundamental attack on most of our assumptions on the subject.&rdquo; &mdash;The Spectator</div>

Notes Towards the Definition of Culture

<div>An indispensable collection of the Nobel Prize winner&rsquo;s most renowned works. &ldquo;In ten years&rsquo; time,&rdquo; wrote Edmund Wilson in Axel&rsquo;s Castle, &ldquo;Eliot has left upon English poetry a mark more unmistakable than that of any other poet writing in English.&rdquo; In 1948, Eliot was awarded the Nobel Prize &ldquo;for his work as a trail-blazing pioneer of modern poetry.&rdquo; This book is made up of six individual titles: Four Quartets, Collected Poems: 1909&ndash;1935, Murder in the Cathedral, The Family Reunion, Old Possum&rsquo;s Book of Practical Cats, and The Cocktail Party. It offers not only enjoyment of one of the great talents in contemporary literature, but a deeper understanding of such classics as &ldquo;The Waste Land,&rdquo; &ldquo;The Hollow Men,&rdquo; &ldquo;Ash Wednesday,&rdquo; &ldquo;Prufrock,&rdquo; &ldquo;Murder in the Cathedral,&rdquo; and &ldquo;The Cocktail Party.&rdquo; The Complete Poems and Plays of T. S. Eliot is indispensable. </div>

The Complete Poems and Plays, 1909–1950

<div>Two essays on Western society&rsquo;s deep interconnection with religion from the Nobel Prize-winning poet, playwright, and critic. One of our most prized writers takes a poignant look at the powerful influences of religion and culture in the Western world in these two penetrating essays. The first, &ldquo;The Idea of a Christian Society,&rdquo; examines the undeniable link between religion, politics, and economy, suggesting that a real Christian society requires a direct criticism of political and economic systems. And in &ldquo;Notes towards the Definition of Culture,&rdquo; Eliot sets out to discover the true definition of &ldquo;culture,&rdquo; a word whose misuse and ambiguity presents a danger to the legacy of the Western world. Intellectually, Eliot was years ahead of his time, and these essays are an invaluable tool for analyzing and understanding the nature of society today. &ldquo;A substantial contribution to our understanding of the nature of culture, the nature of the relationship between culture and religion, and the role of what often are termed cultural pursuits&mdash;including literature, the visual arts, architecture, and the like&mdash;in making life worth living.&rdquo;&mdash;The Imaginative Conservative</div>

Christianity and Culture

<div>One of the twentieth century&rsquo;s great thinkers and writers explores what it means to incorporate Christian values into our worldly lives. Originally delivered in 1939 at Corpus Christi College, these three lectures by the renowned poet and playwright T. S. Eliot address the direction of religious thought toward criticism of political and economic systems. With sincerity and intellectual rigor, the Nobel Prize winner asks whether&mdash;and how&mdash;it is possible for Christianity to coexist with Western democracy and capitalism.</div>

The Idea of a Christian Society

<div>The verse dramatization of the medieval murder of Thomas Becket at Canterbury by the winner of the Nobel Prize for Literature. The Archbishop Thomas Becket speaks fatal words before he is martyred in T. S. Eliot&rsquo;s best-known drama, based on the murder of the Archbishop of Canterbury in 1170. Praised for its poetically masterful handling of issues of faith, politics, and the common good, T. S. Eliot&rsquo;s play bolstered his reputation as the most significant poet of his time. It has been performed on stage, film, and television since 1935 and was the basis for the opera Assassinio nella Cattedrale by the Italian composer Ildebrando Pizzetti.</div>

T. S. Eliot

Books By T. S. Eliot (12 Books)

Selected Essays, 1917– ...

The Waste Land

Select Poems

The Family Reunion

The Varieties of Metap ...

The Complete Plays of ...

Inventions of the Marc ...

Notes Towards the Defi ...

The Complete Poems and ...

Christianity and Cultu ...

The Idea of a Christia ...

Murder in the Cathedra ...

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