<div><P>In the spring of 1672, the German philosopher and mathematician Gottfried Wilhelm Leibniz arrived in Paris on a furtive diplomatic mission. That project was abandoned quickly, but Leibniz remained in Paris with a singular goal: to get the most out of the city's intellectual and cultural riches. He benefited, above all, from his friendships with France's two greatest philosopher-theologians of the period, Antoine Arnauld and Nicolas de Malebranche. The interactions of these three men would prove of great consequence not only for Leibniz's own philosophy but for the development of modern philosophical and religious thought. <br><br>Despite their wildly different views and personalities, the three philosophers shared a single, passionate concern: resolving the problem of evil. Why is it that, in a world created by an allpowerful, all-wise, and infinitely just God, there is sin and suffering? Why do bad things happen to good people, and good things to bad people? <br><br>This is the story of a clash between radically divergent worldviews. But it is also a very personal story. At its heart are the dramatic—and often turbulent—relationships between three brilliant and resolute individuals. In this lively and engaging book, Steven Nadler brings to life a debate that obsessed its participants, captivated European intellectuals, and continues to inform our ways of thinking about God, morality, and the world.</P></div>

The Best of All Possible Worlds

<div>There is a popular and romantic myth about Rembrandt and the Jewish people. One of history's greatest artists, we are often told, had a special affinity for Judaism. With so many of Rembrandt's works devoted to stories of the Hebrew Bible, and with his apparent penchant for Jewish themes and the sympathetic portrayal of Jewish faces, it is no wonder that the myth has endured for centuries.<br><br><I>Rembrandt's Jews</I> puts this myth to the test as it examines both the legend and the reality of Rembrandt's relationship to Jews and Judaism. In his elegantly written and engrossing tour of Jewish Amsterdam—which begins in 1653 as workers are repairing Rembrandt's Portuguese-Jewish neighbor's house and completely disrupting the artist's life and livelihood—Steven Nadler tells us the stories of the artist's portraits of Jewish sitters, of his mundane and often contentious dealings with his neighbors in the Jewish quarter of Amsterdam, and of the tolerant setting that city provided for Sephardic and Ashkenazic Jews fleeing persecution in other parts of Europe. As Nadler shows, Rembrandt was only one of a number of prominent seventeenth-century Dutch painters and draftsmen who found inspiration in Jewish subjects. Looking at other artists, such as the landscape painter Jacob van Ruisdael and Emmanuel de Witte, a celebrated painter of architectural interiors, Nadler is able to build a deep and complex account of the remarkable relationship between Dutch and Jewish cultures in the period, evidenced in the dispassionate, even ordinary ways in which Jews and their religion are represented—far from the demonization and grotesque caricatures, the iconography of the outsider, so often found in depictions of Jews during the Middle Ages and the Renaissance.<br><br> Through his close look at paintings, etchings, and drawings; in his discussion of intellectual and social life during the Dutch Golden Age; and even through his own travels in pursuit of his subject, Nadler takes the reader through Jewish Amsterdam then and now—a trip that, under ever-threatening Dutch skies, is full of colorful and eccentric personalities, fiery debates, and magnificent art.</div>

Steven Nadler
Follow this author

Books By Steven Nadler (2 Books)

The Best of All Possible Worlds

Rembrandt's Jews

Get weekly updates and deals from Early Bird Books

More from

Corporate

© 2024 OPEN ROAD INTEGRATED MEDIA