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Where Rivers and Mountains Sing
Theodore Levin
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Music and Jewish Culture in Early Modern Italy
Liza Malamut
Rebecca Cypess
Lynette Bowring
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Jean-Luc Godard, Cinema Historian
Michael Witt
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The Rite of Spring at 100
Gretchen Horlacher
Maureen Carr
Severine Neff
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The B Word
Maria San Filippo
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Three Midwestern Playwrights
Marcia Noe
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From Street to Screen
David C. Wall
Michael T. Martin
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London's Arts Labs and the 60s Avant-Garde
David Curtis
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A Theory of Musical Narrative
Byron Almen
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Mary Ellen Bute
Kit Smyth Basquin
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The Art of Ballet Accompaniment
Gerald R. Lishka
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Clavichord for Beginners
Joan Benson
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Ariane & Bluebeard
Th. Emil Homerin
Matthew Brown
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The Invention of Robert Bresson
Colin Burnett
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Schubert's Instrumental Music and Poetics of Interpretation
Rene Rusch
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Virtuosi
Mark Mitchell
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Shostakovich's Music for Piano Solo
Sofia Moshevich
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The Notation Is Not the Music
Barthold Kuijken
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Meantone Temperaments on Lutes and Viols
David Dolata
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Provenance and Early Cinema
Tami Williams
Paolo Cherchi Usai
Joanne Bernardi
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Menahem Pressler
William Brown
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Chronology of the Birth of Cinema, 1833–1896
Deac Rossell
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Flash Flaherty
Patricia R. Zimmermann
Scott MacDonald
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Bassoon Reed Making
Christin Schillinger
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Pictures of Poverty
Lydia Jakobs
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Euro Horror
Ian Olney
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Medieval Instrumental Dances
Timothy J. McGee
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The Politics & Poetics of Black Film
David C. Wall
Michael T. Martin
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Corporeality in Early Cinema
Jan Olsson
Doron Galili
Marina Dahlquist
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Early Cinema in Asia
Nick Deocampo
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The Year's Work in Lebowski Studies
Aaron Jaffe
Edward P. Comentale
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A Reader in Animation Studies
Jayne Pilling
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The Death of Character
Elinor Fuchs
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Rachmaninoff's Complete Songs
Richard D. Sylvester
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Miles Davis, Miles Smiles, and the Invention of Post Bop
Jeremy Yudkin
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Focal Impulse Theory
John Paul Ito
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The Pianist's Guide to Pedaling
Joseph Banowetz
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Storytelling in Opera and Musical Theater
Nina Penner
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The Worlds of John Wick
Caitlin G. Watt
Stephen Watt
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The Generic Closet
Alfred L. Martin Jr.
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