Understanding Pat Conroy
Published by University of South Carolina Press
An insightful look at the life and work of the extraordinary popular Southern writer.
Pat Conroy’s novels and memoirs have indelibly shaped the image of the South in the American imagination. His writing has rendered the physical landscape of the South Carolina lowcountry familiar to legions of readers, and has staked out a more complex geography as well—one defined by domestic trauma, racial anxiety, religious uncertainty, and cultural ambivalence.
In Understanding Pat Conroy, Catherine Seltzer engages in a sustained consideration of Conroy and his work. The study begins with a sketch of Conroy’s biography, which, while fascinating in its own right, is employed here to illuminate many of the motifs and characters that define his work and to locate him within southern literary tradition. Seltzer then explores each of Conroy’s major works, tracing the evolution of the themes within and among each of his novels, including The Great Santini, The Lords of Discipline, The Prince of Tides, Beach Music, and South of Broad, and his memoirs, among them The Water Is Wide and My Losing Season.
Seltzer’s insightful close readings of Conroy’s work are supplemented by interviews and archival material, shedding new light on the often-complex dynamics between text and context in Conroy’s oeuvre. More broadly, Understanding Pat Conroy explores the ways that Conroy delights in troubling the boundaries that circumscribe the literary establishment—and links his work to existing debates about the contemporary American canon.
Pat Conroy’s novels and memoirs have indelibly shaped the image of the South in the American imagination. His writing has rendered the physical landscape of the South Carolina lowcountry familiar to legions of readers, and has staked out a more complex geography as well—one defined by domestic trauma, racial anxiety, religious uncertainty, and cultural ambivalence.
In Understanding Pat Conroy, Catherine Seltzer engages in a sustained consideration of Conroy and his work. The study begins with a sketch of Conroy’s biography, which, while fascinating in its own right, is employed here to illuminate many of the motifs and characters that define his work and to locate him within southern literary tradition. Seltzer then explores each of Conroy’s major works, tracing the evolution of the themes within and among each of his novels, including The Great Santini, The Lords of Discipline, The Prince of Tides, Beach Music, and South of Broad, and his memoirs, among them The Water Is Wide and My Losing Season.
Seltzer’s insightful close readings of Conroy’s work are supplemented by interviews and archival material, shedding new light on the often-complex dynamics between text and context in Conroy’s oeuvre. More broadly, Understanding Pat Conroy explores the ways that Conroy delights in troubling the boundaries that circumscribe the literary establishment—and links his work to existing debates about the contemporary American canon.
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