The Last Hurrah
Published by The University of Chicago Press
A corrupt mayor runs his final campaign in this “remarkably intelligent, informed, well-conceived, and highly readable” classic novel (Chicago Tribune).
“We’re living in a sensitive age, Cuke, and I’m not altogether sure you’re fully attuned to it.” So says Irish-American politician Frank Skeffington—a cynical, corrupt 1950s mayor, and also an old-school gentleman who looks after the constituents of his New England city and enjoys their unwavering loyalty in return. But in our age of dynasties, mercurial social sensitivities, and politicians making love to the camera, Skeffington might as well be talking to us.
Not quite a roman á clef of notorious Boston mayor James Michael Curley, The Last Hurrah tells the story of Skeffington’s final campaign as witnessed through the eyes of his nephew, who learns a great deal about politics as he follows his uncle to fundraisers, wakes, and into smoke-filled rooms, ultimately coming—almost against his will—to admire the man.
Adapted into a 1958 film starring Spencer Tracy and directed by John Ford (and which Curley tried to keep from being made), Edwin O’Connor’s opus reveals politics as it really is, and big cities as they really were. An expansive, humorous novel offering deep insight into the Irish-American experience and the ever-changing nature of the political machine, The Last Hurrah reveals political truths still true today: what the cameras capture is just the smiling face of the sometimes sordid business of giving the people what they want.
Praise for The Last Hurrah
“The best novel about American politics and the best novel about Irish-Americans I have ever read.” —New York Times
“A splendid inside job on big city politics. It establishes O’Connor as one of our most gifted interpreters of American life.” —Chicago Tribune
“In today’s soulless, prefabricated, follow-the-polling-data political environment, The Last Hurrah is a reminder of where we came from and how we got here. . . . O’Connor’s marking of the end of an era is still relevant, prescient in its gloomy foretelling of cultural change. . . . The Last Hurrah is the rich story of personality- and class-driven politics, now footnotes in contemporary culture.” —Boston Globe
“We’re living in a sensitive age, Cuke, and I’m not altogether sure you’re fully attuned to it.” So says Irish-American politician Frank Skeffington—a cynical, corrupt 1950s mayor, and also an old-school gentleman who looks after the constituents of his New England city and enjoys their unwavering loyalty in return. But in our age of dynasties, mercurial social sensitivities, and politicians making love to the camera, Skeffington might as well be talking to us.
Not quite a roman á clef of notorious Boston mayor James Michael Curley, The Last Hurrah tells the story of Skeffington’s final campaign as witnessed through the eyes of his nephew, who learns a great deal about politics as he follows his uncle to fundraisers, wakes, and into smoke-filled rooms, ultimately coming—almost against his will—to admire the man.
Adapted into a 1958 film starring Spencer Tracy and directed by John Ford (and which Curley tried to keep from being made), Edwin O’Connor’s opus reveals politics as it really is, and big cities as they really were. An expansive, humorous novel offering deep insight into the Irish-American experience and the ever-changing nature of the political machine, The Last Hurrah reveals political truths still true today: what the cameras capture is just the smiling face of the sometimes sordid business of giving the people what they want.
Praise for The Last Hurrah
“The best novel about American politics and the best novel about Irish-Americans I have ever read.” —New York Times
“A splendid inside job on big city politics. It establishes O’Connor as one of our most gifted interpreters of American life.” —Chicago Tribune
“In today’s soulless, prefabricated, follow-the-polling-data political environment, The Last Hurrah is a reminder of where we came from and how we got here. . . . O’Connor’s marking of the end of an era is still relevant, prescient in its gloomy foretelling of cultural change. . . . The Last Hurrah is the rich story of personality- and class-driven politics, now footnotes in contemporary culture.” —Boston Globe
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