Joyce's Ghosts
Published by The University of Chicago Press
“A deeply original work . . . part of a refreshing new wave of literary criticism that is written in clear, hospitable prose, driven by genuine passion.” —Irish Times
For decades, James Joyce’s modernism has overshadowed his Irishness, as his self-imposed exile and association with the high modernism of Europe’s urban centers has led critics to see him almost exclusively as a cosmopolitan figure.
In Joyce’s Ghosts, Luke Gibbons mounts a powerful argument that Joyce’s Irishness is intrinsic to his modernism, informing his most distinctive literary experiments. Ireland, Gibbons shows, is not just a source of subject matter or content for Joyce, but of form itself. Joyce’s stylistic innovations can be traced at least as much to the tragedies of Irish history as to the shock of European modernity, as he explores the incomplete project of inner life under colonialism. Joyce’s language, Gibbons reveals, is haunted by ghosts, less concerned with the stream of consciousness than with a vernacular interior dialogue, the “shout in the street,” that gives room to outside voices and shadowy presences, the disruptions of a late colonial culture in crisis.
Showing us how memory under modernism breaks free of the nightmare of history, and how in doing so it gives birth to new forms, Gibbons forces us to think anew about Joyce’s achievement.
“Nothing short of brilliant.” —Vicki Mahaffey, University of Illinois at Urbana-Champaign, author of Reauthorizing Joyce
“Engaging [and] important.” —Choice
“Sure to appeal to every persuasion and rank of Joyceans.” —Maria DiBattista, Princeton University, author of First Love: The Affections of Modern Fiction
“Excellent.” —Fredric Jameson, Duke University, author of Post, or The Cultural Logic of Late Capitalism
For decades, James Joyce’s modernism has overshadowed his Irishness, as his self-imposed exile and association with the high modernism of Europe’s urban centers has led critics to see him almost exclusively as a cosmopolitan figure.
In Joyce’s Ghosts, Luke Gibbons mounts a powerful argument that Joyce’s Irishness is intrinsic to his modernism, informing his most distinctive literary experiments. Ireland, Gibbons shows, is not just a source of subject matter or content for Joyce, but of form itself. Joyce’s stylistic innovations can be traced at least as much to the tragedies of Irish history as to the shock of European modernity, as he explores the incomplete project of inner life under colonialism. Joyce’s language, Gibbons reveals, is haunted by ghosts, less concerned with the stream of consciousness than with a vernacular interior dialogue, the “shout in the street,” that gives room to outside voices and shadowy presences, the disruptions of a late colonial culture in crisis.
Showing us how memory under modernism breaks free of the nightmare of history, and how in doing so it gives birth to new forms, Gibbons forces us to think anew about Joyce’s achievement.
“Nothing short of brilliant.” —Vicki Mahaffey, University of Illinois at Urbana-Champaign, author of Reauthorizing Joyce
“Engaging [and] important.” —Choice
“Sure to appeal to every persuasion and rank of Joyceans.” —Maria DiBattista, Princeton University, author of First Love: The Affections of Modern Fiction
“Excellent.” —Fredric Jameson, Duke University, author of Post, or The Cultural Logic of Late Capitalism
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