<div>Pick your next movie to watch with this collection of four decades of 4-star reviews from the Pulitzer Prize–winning film critic. Spanning the length of Roger Ebert’s career as the leading American movie critic, this book contains all of his four-star reviews written during that time from About Last Night . . . to You Can Count on Me. A great guide for movie watching.</div>

Amazon

Apple

Barnes & Noble

Google

Kobo

Buy From US

Roger Ebert's Four-Star Reviews 1967–2007

<div>A guide to the handy kitchen appliance, plus a range of recipes, from the Pulitzer Prize–winning movie critic. In The Pot and How to Use It, Roger Ebert—Pulitzer Prize–winning film critic, admitted “competent cook,” and long-time electric rice cooker enthusiast—gives readers a charming, practical guide to this handy and often-overlooked kitchen appliance. While The Pot and How to Use It contains numerous and surprisingly varied recipes for electric rice cookers, it is much more than a cookbook. Originating from a blog entry on Roger’s popular Web site, the book also includes readers’ comments and recipes alongside Roger’s own discerning insights and observations on why and how we cook. With an introduction by vegetarian cookbook author Anna Thomas and expert assistance from recipe consultant and nutritionist Yvonne Nienstadt, The Pot and How to Use It is perfect for fans of Roger’s superb writing, as well as anyone looking to incorporate the convenience and versatility of electric rice cookers into his or her kitchen repertoire.</div>

The Pot and How to Use It

<div>A collection of some of the Pulitzer Prize–winning film critic’s most scathing reviews, from Alex &amp; Emma to the remake of Yours, Mine, and Ours. From Roger’s review of Deuce Bigalow: European Gigolo (0 stars): “The movie created a spot of controversy in February 2005. According to a story by Larry Carroll of MTV News, Rob Schneider took offense when Patrick Goldstein of the Los Angeles Times listed this year's Best Picture nominees and wrote that they were 'ignored, unloved, and turned down flat by most of the same studios that . . . bankroll hundreds of sequels, including a follow-up to Deuce Bigalow: Male Gigolo, a film that was sadly overlooked at Oscar time because apparently nobody had the foresight to invent a category for Best Running Penis Joke Delivered by a Third-Rate Comic.' Schneider retaliated by attacking Goldstein in full-page ads in Daily Variety and the Hollywood Reporter. In an open letter to Goldstein, Schneider wrote: “Well, Mr. Goldstein, I decided to do some research to find out what awards you have won. I went online and found that you have won nothing. Absolutely nothing. No journalistic awards of any kind . . . . Maybe you didn’t win a Pulitzer Prize because they haven’t invented a category for Best Third-Rate, Unfunny Pompous Reporter Who’s Never Been Acknowledged by His Peers . . . .” Schneider was nominated for a 2000 Razzie Award for Worst Supporting Actor but lost to Jar-Jar Binks. But Schneider is correct, and Patrick Goldstein has not yet won a Pulitzer Prize. Therefore, Goldstein is not qualified to complain that Columbia financed Deuce Bigalow: European Gigolo while passing on the opportunity to participate in Million Dollar Baby, Ray, The Aviator, Sideways, and Finding Neverland. As chance would have it, I have won the Pulitzer Prize, and so I am qualified. Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks.” Roger Ebert’s I Hated Hated Hated This Movie, which gathered some of his most scathing reviews, was a bestseller. This collection continues the tradition, reviewing not only movies that were at the bottom of the barrel, but also movies that he found underneath the barrel.</div>

Your Movie Sucks

<div>An expanded glossary of movie clichés from the Pulitzer Prize–winning film critic. The popular film critic offers a compilation of witty and wise observations about the film lexicon, including “Fruit Cart,” a chase scene through an ethnic or foreign locale, or “The Non-Answering Pet,” referring to a dead pet in a horror movie.</div>

Ebert's Bigger Little Movie Glossary

<div>More of the Pulitzer Prize–winning film critic’s most scathing reviews. A Horrible Experience of Unbearable Length collects more than 200 of his reviews from 2006 to 2012 in which he gave movies two stars or fewer. Known for his fair-minded and well-written film reviews, Roger is at his razor-sharp humorous best when skewering bad movies. Consider this opener for the one-star Your Highness: “Your Highness is a juvenile excrescence that feels like the work of 11-year-old boys in love with dungeons, dragons, warrior women, pot, boobs, and four-letter words. That this is the work of David Gordon Green beggars the imagination. One of its heroes wears the penis of a minotaur on a string around his neck. I hate it when that happens.” And finally, the inspiration for the title of this book, the one-star Transformers: Revenge of the Fallen: “Transformers: Revenge of the Fallen is a horrible experience of unbearable length, briefly punctuated by three or four amusing moments. One of these involves a doglike robot humping the leg of the heroine. If you want to save yourself the ticket price, go into the kitchen, cue up a male choir singing the music of hell, and get a kid to start banging pots and pans together. Then close your eyes and use your imagination.” Roger Ebert’s I Hated, Hated, Hated This Movie and Your Movie Sucks, which gathered some of his most scathing reviews, were bestsellers. This collection continues the tradition, reviewing not only movies that were at the bottom of the barrel, but also movies that he found underneath the barrel. Movie buffs and humor lovers alike will relish this treasury of movies so bad that you may just want to see them for a good laugh!</div>

A Horrible Experience of Unbearable Length

<div>The Pulitzer Prize–winning film critics offers up more reviews of horrible films. Roger Ebert awards at least two out of four stars to most of the more than 150 movies he reviews each year. But when the noted film critic does pan a movie, the result is a humorous, scathing critique far more entertaining than the movie itself. I Hated, Hated, Hated This Movie is a collection of more than 200 of Ebert’s most biting and entertaining reviews of films receiving a mere star or less from the only film critic to win the Pulitzer Prize. Ebert has no patience for these atrocious movies and minces no words in skewering the offenders. Witness: Armageddon * (1998)—The movie is an assault on the eyes, the ears, the brain, common sense, and the human desire to be entertained. No matter what they’re charging to get in, it’s worth more to get out. The Beverly Hillbillies * (1993)—Imagine the dumbest half-hour sitcom you’ve ever seen, spin it out to ninety-three minutes by making it even more thin and shallow, and you have this movie. It’s appalling. North no stars (1994)—I hated this movie. Hated hated hated hated hated this movie. Hated it. Hated every simpering stupid vacant audience-insulting moment of it. Hated the sensibility that thought anyone would like it. Hated the implied insult to the audience by its belief that anyone would be entertained by it. Police Academy no stars (1984)—It’s so bad, maybe you should pool your money and draw straws and send one of the guys off to rent it so that in the future, whenever you think you’re sitting through a bad comedy, he could shake his head, chuckle tolerantly, and explain that you don't know what bad is. Dear God * (1996)—Dear God is the kind of movie where you walk out repeating the title, but not with a smile. The movies reviewed within I Hated, Hated, Hated This Movie are motion pictures you’ll want to distance yourself from, but Roger Ebert’s creative and comical musings on those films make for a book no movie fan should miss.</div>

I Hated, Hated, Hated This Movie

<div>In this e-book exclusive, the Pulitzer Prize–winning film critic presents reviews of twenty-seven fantastic film noir movies. Sometimes there’s just nothing more absorbing than watching a movie that truly looks at life on the dark side, revealing those dark parts of human nature that we find so fascinating. In Roger Ebert’s picks of 27 Movies from the Dark Side, he offers a varied selection from a look at the seamy side of life in L.A. in Chinatown to a backwoods murder gone wrong in Blood Simple. Throw in two classics from Alfred Hitchcock, Notorious and Strangers on a Train, and two French tours de force, Bob le Flambeur and Touchez Pas au Grisbiand you’ve got the primer on film noir.</div>

27 Movies from the Dark Side

<div>In this e-book exclusive, the Pulitzer Prize–winning film critic presents reviews of 33 films that showcase the power of the human spirit. Wondering if the world is really going to hell in a handbasket? Then consider Roger Ebert’s e-book original 33 Movies to Restore Your Faith in Humanity. Read Roger’s full-length reviews of movies and rekindle your belief in the human spirit. From the out-of-the-world experience of E.T. to the outer space drama of Apollo 13 to the personal insights into ordinary people in Cinema Paradiso and Everlasting Moments, you’ll be reassured that maybe there is hope for us all. Mix in historical dramas like The Bridge on the River Kwai and Gandhi, stories of personal heroism like Hotel Rwanda and Schindler's List, and the irresistible Up, and things will be looking, well, up!</div>

33 Movies to Restore Your Faith in Humanity

<div>The most-trusted film critic in America.&quot; --USA Today Roger Ebert actually likes movies. It's a refreshing trait in a critic, and not as prevalent as you'd expect.&quot; --Mick LaSalle, San Francisco ChronicleAmerica's favorite movie critic assesses the year's films from Brokeback Mountain to Wallace and Gromit: The Curse of the Were-Rabbit. Roger Ebert's Movie Yearbook 2007 is perfect for film aficionados the world over.Roger Ebert's Movie Yearbook 2007 includes every review by Ebert written in the 30 months from January 2004 through June 2006-about 650 in all. Also included in the Yearbook, which is about 65 percent new every year, are:* Interviews with newsmakers such as Philip Seymour Hoffman, Terrence Howard, Stephen Spielberg, Ang Lee, and Heath Ledger, Nicolas Cage, and more.* All the new questions and answers from his Questions for the Movie Answer Man columns.* Daily film festival coverage from Cannes, Toronto, Sundance, and Telluride.*Essays on film issues and tributes to actors and directors who died during the year.</div>

Roger Ebert's Movie Yearbook 2007

<div>Roger Ebert&rsquo;s &ldquo;criticism shows a nearly unequaled grasp of film history and technique, and formidable intellectual range. . . .&rdquo; &mdash;New York Times Pulitzer Prize&ndash;winning film critic Roger Ebert presents more than 600 full-length critical movie reviews, along with interviews, tributes, and journal entries inside Roger Ebert&rsquo;s Movie Yearbook 2013. It includes every movie review Ebert has written from January 2010 to July 2012. Also included in the Yearbook:<ul><li>In-depth interviews with newsmakers and celebrities</li><li>Tributes to those in the film industry who have passed away recently</li><li>Essays on the Oscars, reports from the Toronto Film Festival, and entries into Ebert&#39;s Little Movie Glossary</li></ul></div>

Roger Ebert's Movie Yearbook 2013

<div>Like a full-bodied Bordeaux wine, Roger Ebert's e-book original 25 Great French Films will reward you with a rich variety of full-length reviews of cinematic experiences. From such classics as Belle de Jour,Day for Night, and The 400 Blows to the sweeping drama (and beautiful scenery!) of Jean de Florette and its sequel Manon of the Spring, this e-book provides a perfect primer for those new to French films and a welcome refresher course for true Francophiles.</div>

25 Great French Films

<div>Ahh, love. It can be a many splendored thing, but it can also lead to the pain of a broken heart. For those experiencing such a sad eventuality, turn to this e-book only selection of Ebert's Essentials, and consider these reviews of movies to help get you through the heartbreak. While not a cure for a broken heart (what could be?), watching these films can bring hope and appreciation for the possibility of love again or just help you laugh at the total absurdity of it all. Enjoy such classic romantic comedies as Moonstruck and Annie Hall to the decidedly offbeat Lars and the Real Girl that will help bring a smile back. Appreciate quiet looks into love with films like The Scent of Green Papaya and Once. </div>

25 Movies to Mend a Broken Heart

<div>The holidays&mdash;that time between Thanksgiving and New Year's&mdash;jam more &quot;together&quot; time together than any other time during the year. And all that being together calls for movies to watch together to celebrate the season or movies to watch alone to survive the season. From such classics to enjoy as a family like A Christmas Story,It's a Wonderful Life, and Planes, Trains, and Automobiles to more offbeat films like Home for the Holidays (the Thanksgiving family reunion from hell) and Rare Exports: A Christmas Tale (an R-rated Santa Claus origin story crossed with The Thing), Roger Ebert's full-length reviews suggest a wide range of titles sure to please everyone on your list. Also included are thoughtful films like John Huston's rendering of James Joyce's The Dead, a poignant look at life and Joyeux Noel, based on the true story of a spontaneous cease-fire between German and Allied troops on Christmas Eve 1914. As a bonus, in the enhanced version, more than half of the reviews include a clip of the movie's trailer. </div>

30 Movies to Get You Through the Holidays

<div>A treasury of year-by-year ten-best lists, plus personal reminiscences by the man whose name became synonymous with the movies. In Ebert&rsquo;s Bests, the iconic Roger Ebert takes us through the journey of how he became a film critic, from his days at a student-run cinema club to his rise as a television commentator in At the Movies and Siskel &amp; Ebert. Recounting the influence of the French New Wave; his friendships with Werner Herzog and Martin Scorsese; and travels to Sweden and Rome to visit Ingrid Bergman and Federico Fellini, Ebert never loses sight of film as a key component of our cultural identity. In considering the ethics of film criticism&mdash;why we should take all film seriously, without prejudgment or condescension&mdash;he argues that film critics ought always to engage in open-minded dialogue with a movie. All this is accompanied by decades&rsquo; worth of annual ten-best lists, which showcase Roger Ebert&rsquo;s recommendations&mdash;while at the same time reminding us that hearts and minds, and even rankings, are bound to change.</div>

Ebert's Bests

<div>Essays from the influential and beloved film critic: &ldquo;No one has done as much as Ebert to connect the creators of movies with their consumers.&rdquo;&mdash;Richard Corliss, Time Over more than four decades, Roger Ebert built a reputation writing reviews for the Chicago Sun-Times and, later, arguing onscreen with rival Chicago Tribune critic Gene Siskel, and later Richard Roeper, about the movies they loved and loathed. But Ebert&rsquo;s wisdom went well beyond a mere thumbs up or thumbs down. The Great Movies IV is the fourth and final collection of Roger Ebert&rsquo;s essays, comprising sixty-two reviews of films ranging from the silent era to the recent past. From films like The Cabinet of Caligari and Viridiana that have been considered canonical for decades, to movies only recently recognized as masterpieces, to Superman, The Big Lebowski, and Pink Floyd: The Wall, the pieces gathered here demonstrate the critical acumen seen in Ebert&rsquo;s daily reviews and the more reflective and wide-ranging considerations that the longer format allowed him to offer. Also included are an insightful foreword by film critic Matt Zoller Seitz, editor-in-chief of the official Roger Ebert website, and a touching introduction by Chaz Ebert. A fitting capstone to a truly remarkable career, The Great Movies IV will introduce newcomers to some of the most exceptional movies ever made, while revealing new insights to connoisseurs.</div>

The Great Movies IV

<div>A collection of greatest film reviews from a critic who “understands how to pop the hood of a movie and tell us how it runs” (Steven Spielberg). Pulitzer Prize–winning film critic Roger Ebert wrote movie reviews for the Chicago Sun-Times for over forty years. His wide knowledge, keen judgment, and sharp sense of humor made him America’s most celebrated film critic—the only one to have a star dedicated to him on the Hollywood Walk of Fame. His hit TV show, At the Movies, made ‘‘two thumbs up’’ a coveted hallmark in the industry. From The Godfather to GoodFellas, from Cries and Whispers to Crash, the reviews in Awake in the Dark span some of the most exceptional periods in film history, from the dramatic rise of rebel Hollywood and the heyday of the auteur, to the triumph of blockbuster films such as Star Wars and Raiders of the Lost Ark, to the indie revolution. The extraordinary interviews included capture Ebert engaging with such influential directors as Martin Scorsese, Steven Spielberg, Woody Allen, Robert Altman, Werner Herzog, and Ingmar Bergman, as well respected actors as diverse as Robert Mitchum, James Stewart, Warren Beatty, and Meryl Streep. Also gathered here are some of his most admired esssays, among them a moving appreciation of John Cassavetes and a loving tribute to the virtues of black-and-white films. A treasure trove for film buffs, Awake in the Dark is a compulsively readable chronicle of film since the late 1960s. “[Ebert] has a keen understanding of the way [movies] work.” —Martin Scorsese “[Ebert’s] criticism shows a nearly unequalled grasp of film history and technique.” —A.O. Scott, New York Times</div>

Awake in the Dark

<div>A paragon of cinema criticism for decades, Roger Ebert—with his humor, sagacity, and no-nonsense thumb—achieved a renown unlikely ever to be equaled. His tireless commentary has been greatly missed since his death, but, thankfully, in addition to his mountains of daily reviews, Ebert also left behind a legacy of lyrical long-form writing. And with Two Weeks in the Midday Sun, we get a glimpse not only into Ebert the man, but also behind the scenes of one of the most glamorous and peculiar of cinematic rituals: the Cannes Film Festival. More about people than movies, this book is an intimate, quirky, and witty account of the parade of personalities attending the 1987 festival—Ebert’s twelfth, and the fortieth anniversary of the event. A wonderful raconteur with an excellent sense of pacing, Ebert presents lighthearted ruminations on his daily routine and computer troubles alongside more serious reflection on directors such as Fellini and Coppola, screenwriters like Charles Bukowski, actors such as Isabella Rossellini and John Malkovich, the very American press agent and social maverick Billy “Silver Dollar” Baxter, and the stylishly plunging necklines of yore. He also comments on the trajectory of the festival itself and the “enormous happiness” of sitting, anonymous and quiet, in an ordinary French café. And, of course, he talks movies. Illustrated with Ebert’s charming sketches of the festival and featuring both a new foreword by Martin Scorsese and a new postscript by Ebert about an eventful 1997 dinner with Scorsese at Cannes, Two Weeks in the Midday Sun is a small treasure, a window onto the mind of this connoisseur of criticism and satire, a man always so funny, so un-phony, so completely, unabashedly himself.</div>

Roger Ebert
Follow this author

Books By Roger Ebert (17 Books)