<div>The eight short stories in <I>Judge Dee at Work</I> cover a decade during which the judge served in four different provinces of the T’ang Empire. From the suspected treason of a general in the Chinese army to the murder of a lonely poet in his garden pavilion, the cases here are among the most memorable in the Judge Dee series.</div>

Judge Dee at Work

<div>A chance encounter with Autumn Moon, the most powerful courtesan on Paradise Island, leads Judge Dee to investigate three deaths. Although he finally teases the true story from a tangled history of passion and betrayal, Dee is saddened by the perversion, corruption, and waste of the world "of flowers and willows" that thrives on prostitution.<br></div>

The Red Pavilion

<div>Judge Dee—Confucian Imperial magistrate, inquisitor, and public avenger, based on a famous statesman—was Dutch diplomat and Chinese cultural historian Robert van Gulik’s (1910–67) lasting invention. A welcome addition to the elite canon of fictional detectives, the Judge steps in to investigate homicide, theft, and treason and restores order to the golden age of the Tang Dynasty. In <I>Murder in Ancient China</I>’s first story, we watch as Judge Dee attempts to solve the mystery of an elderly poet murdered by moonlight in his garden pavilion; in the second, set on the eve of the Chinese New Year, the Judge makes two rare mistakes—will peril result?</div>

Murder in Ancient China

<div><I>The Monkey and The Tiger</I> includes two detective stories, "The Morning of the Monkey" and "The Night of the Tiger." In the first, a gibbon drops an emerald in the open gallery of Dee's official residence, leading the judge to discover a strangely mutilated body in the woods—and how it got there. In the second, Dee is traveling to the imperial capital to assume a new position when he is separated from his escort by a flood. Marooned in a large country house surrounded by fierce bandits, Dee confronts an apparition that helps him solve a mystery.<br></div>

The Monkey and The Tiger

<div><P>Judge Dee has been appointed emergency governor of the plague- and drought-ridden Imperial City. As his guards help the city fend off a popular uprising, an aristocrat from one of the oldest families in China suffers an "accident" in a deserted mansion.</P><P>In <I>The Willow Pattern</I>, the illustrious judge uses his trademark expertise to unravel the mysteries of the nobleman, a shattered vase, and a dead bondmaid. Along the way he encounters a woman who fights with loaded sleeves, a nearly drowned courtesan, and an elaborate trap set for a murderer. Packed with suspense, violence, and romance, <I>The Willow Pattern</I> won’t disappoint Judge Dee’s legions of loyal fans.</P><P>"The China of old, in Mr. van Gulik’s skilled hands, comes vividly alive again."—Allen J. Hubin, <I>New York Times Book Review</I></P></div>

The Willow Pattern

<div>Judge Dee presided over his imperial Chinese court with a unique brand of Confucian justice. A near mythic figure in China, he distinguished himself as a tribunal magistrate, inquisitor, and public avenger. Long after his death, accounts of his exploits were celebrated in Chinese folklore, and later immortalized by Robert van Gulik in his electrifying mysteries.<br><br> In <I>The Phantom of the Temple,</I> three separate puzzles—the disappearance of a wealthy merchant's daughter, twenty missing bars of gold, and a decapitated corpse—are pieced together by the clever judge to solve three murders and one complex, gruesome plot.<br>  <br> “Judge Dee belongs in that select group of fictional detectives headed by the renowned Sherlock Holmes. I assure you it is a compliment not given frivolously.”—Robert Kirsch, <I>Los Angeles</I><I>Times</I><br> Robert Van Gulik (1910-67) was a Dutch diplomat and an authority on Chinese history and culture. He drew his plots from the whole body of Chinese literature, especially from the popular detective novels that first appeared in the seventeenth century.</div>

The Phantom of the Temple

<div>Early in his career, Judge Dee visits a senior magistrate who shows him a beautiful lacquer screen on which a scene of lovers has been mysteriously altered to show the man stabbing his lover. The magistrate fears he is losing his mind and will murder his own wife. Meanwhile, a banker has inexplicably killed himself, and a lovely lady has allowed Dee's lieutenant, Chiao Tai, to believe she is a courtesan. Dee and Chiao Tai go incognito among a gang of robbers to solve this mystery, and find the leader of the robbers is more honorable than the magistrate.<br><br> "One of the most satisfyingly devious of the Judge Dee novels, with unusual historical richness in its portrayal of the China of the T'ang dynasty."-—<I>New York Times Book Review</I><br><br> "Even Judge Dee is baffled by Robert van Gulik's new mysteries in <I>The Lacquer Screen</I>. Disguised as a petty crook, he spends a couple of precarious days in the headquarters of the underworld, hobnobbing with the robber king. Dee's lively thieving friends furnish some vital clues to this strange and fascinating jigsaw."-—<I>The Spectator</I><br><br> "So scrupulously in the classic Chinese manner yet so nicely equipped with everything to satisfy the modern reader."-—<I>New York Times</I><br><br> Robert Van Gulik (1910-67) was a Dutch diplomat and an authority on Chinese history and culture. He drew his plots from the whole body of Chinese literature, especially from the popular detective novels that first appeared in the seventeenth century.</div>

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The Lacquer Screen

<div>Judge Dee, the master detective of seventh-century China, sets out to solve a puzzling double murder and discovers complex passions lurking beneath the placid surface of academic life. A mild-mannered student is rumored to have been slain by a fox-demon, while a young dancer meets her death as she dresses to perform for the magistrate's illustrious dinner guests—an obese Zen monk revered for his calligraphy, a beautiful poetess accused of murder, and the past president of the imperial academy. To connect the present crimes with betrayals and adulteries from decades past, the clever judge must visit a high-class brothel and the haunted shrine of the Black Fox. From the moment the young scholar is found dead on the eve of the Autumn Festival, the pace never lets up.<br><br> "The China of old, in Mr. van Gulik's skilled hands, comes vividly alive again."—Allen J. Hubin, <I>New York Times Book Review<br><br></I> "If you have not yet discovered Judge Dee, I envy you that initial pleasure. . . . For the magistrate of Poo-yang belongs in that select group headed by Sherlock Holmes."—Robert Kirsch, <I>Los Angeles Times<br><br></I></div>

Poets and Murder

<div>Brought back into print in the 1990s to wide acclaim, re-designed new editions of Robert van Gulik's Judge Dee Mysteries are now available.<br><br> Written by a Dutch diplomat and scholar during the 1950s and 1960s, these lively and historically accurate mysteries have entertained a devoted following for decades. Set during the T'ang dynasty, they feature Judge Dee, a brilliant and cultured Confucian magistrate disdainful of personal luxury and corruption, who cleverly selects allies to help him navigate the royal courts, politics, and ethnic tensions in imperial China.  Robert van Gulik modeled Judge Dee on a magistrate of that name who lived in the seventh century, and he drew on stories and literary conventions of Chinese mystery writing dating back to the Sung dynasty to construct his ingenious plots.<br><br><I>Murder in Canton</I> takes place in the year 680, as Judge Dee, recently promoted to lord chief justice, is sent incognito to Canton to investigate the disappearance of a court censor. With the help of his trusted lieutenants Chiao Tai and Tao Gan, and that of a clever blind girl who collects crickets, Dee solves a complex puzzle of political intrigue and murder through the three separate subplots "the vanished censor," "the Smaragdine dancer," and "the Golden Bell."<br><br> An expert on the art and erotica as well as the literature, religion, and politics of China, van Gulik also provides charming illustrations to accompany his engaging and entertaining mysteries.</div>

Murder in Canton

<div>It all begins on the night of the Poo-yang dragonboat races in 699 A.D.: a drummer in the leading boat collapses, and the body of a beautiful young woman turns up in a deserted country mansion.  There, Judge Dee—tribunal magistrate, inquisitor, and public avenger—steps in to investigate the murders and return order to the Tang Dynasty. In <I>The Emperor’s Pearl</I>, the judge discovers that these two deaths are connected by an ancient tragedy involving a near-legendary treasure stolen from the Imperial Harem one hundred years earlier. The terrifying figure of the White Lady, a river goddess enshrined on a bloodstained altar, looms in the background of the investigation. Clues are few and elusive, but under the expert hand of Robert van Gulik, this mythic jigsaw puzzle assembles itself into a taut mystery.<br>  <br> “If you have not yet discovered Judge Dee and his faithful Sgt. Hoong, I envy you that initial pleasure which comes from the discovery of a great detective story. For the magistrate of Poo-yang belongs in that select group of fictional detectives headed by the renowned Sherlock Holmes.”—Robert Kirsch, <I>Los Angeles</I><I>Times</I><br>  <br> “The title of this book and the book itself have much in common. Each is a jewel, a rare and precious find.”—<I>Atlanta</I><I>Times</I> </div>

The Emperor's Pearl

<div><P>Judge Dee and his entourage, seeking refuge from a mountain storm, become trapped in a Taoist monastery, where the Abbott Jade mysteriously dies after delivering an ecstatic sermon. The monks call it a supernatural experience, but the judge calls it murder. Recalling the allegedly accidental deaths of three young women in the same monastery, Judge Dee seeks clues in the eyes of a cat to solve cases of impersonation and murder. A painting by one of the victims reveals the truth about the killings, propelling the judge on a quest for justice and revenge.</P><P>"Entertaining, instructive, and impressive."—<I>Times Literary Supplement</I></P></div>

The Haunted Monastery

<div>Poisoned plums, a cryptic scroll picture, passionate love letters, and a hidden murderer with a penchant for torturing and killing women lead Judge Dee to the heart of the Governor’s garden maze and the answers to three interwoven mysteries. The Chinese Maze Murders represents Robert van Gulik’s first venture into writing suspense novels after the success of <I>Dee Gong An</I>, his translation of an anonymous Chinese detective novel from the sixteenth century.</div>

Robert van Gulik
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Books By Robert van Gulik (12 Books)