<div>&ldquo;A moving examination of how French civilians experienced the fighting&rdquo; at Normandy during WWII from the acclaimed author of What Soldiers Do (Telegraph, UK). &ldquo;Like big black umbrellas, they rain down on the fields across the way, and then disappear behind the black line of the hedges.&rdquo; Silent parachutes dotting the night sky&mdash;that&rsquo;s how one Normandy woman learned that the D-Day invasion was under way in June of 1944. Though they yearned for liberation, the French had to steel themselves for war, knowing that their homes, lands, and fellow citizens would have to bear the brunt of the attack. With D-Day through French Eyes, Mary Louise Roberts turns the conventional narrative of D-Day on its head, taking readers across the Channel to view the invasion anew. Roberts builds her history from an impressive range of gripping first-person accounts by French citizens throughout the region. A farm family notices that cabbage is missing from their garden&mdash;then discovers that the guilty culprits are American paratroopers hiding in the cowshed. Fishermen rescue pilots from the wreck of their B-17, then search for clothes big enough to disguise them as civilians. A young man learns to determine whether a bomb is whistling overhead or silently plummeting toward them. When the allied infantry arrived, French citizens guided them to hidden paths and little-known bridges, giving them crucial advantages over the German occupiers. As she did in her acclaimed account of GIs in postwar France, What Soldiers Do, Roberts here sheds vital new light on a story we thought we knew. &quot;In the great tradition of Studs Terkel and Is Paris Burning?, Mary Louise Roberts uses the diaries and memoirs of French civilians to narrate a history of the French at D-Day that has for too long been occluded by the mythology of the allied landing.&rdquo;&mdash;Alice Kaplan, author of Dreaming in French</div>

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D-Day Through French Eyes

<div>This sobering account “vividly depicts the impact of the influx of hundreds of thousands of GIs on French society, especially on French women” (Foreign Affairs). How do you convince men to charge across heavily mined beaches into deadly machine-gun fire? Do you appeal to their bonds with their fellow soldiers, their patriotism, their desire to end tyranny and mass murder? Certainly—but if you’re the US Army in 1944, you also try another tack: You dangle the lure of beautiful French women, waiting just on the other side of the wire, ready to reward their liberators in oh so many ways. That’s not the picture of the Greatest Generation that we’ve been given, but it’s the one Mary Louise Roberts paints to devastating effect in What Soldiers Do. Drawing on an incredible range of sources, including news reports, propaganda and training materials, official planning documents, wartime diaries, and memoirs, Roberts tells the fascinating and troubling story of how the US military command systematically spread—and then exploited—the myth of French women as sexually experienced and available. The resulting chaos—ranging from flagrant public sex with prostitutes to outright rape and rampant venereal disease—horrified the war-weary and demoralized French population. The sexual predation, and the blithe response of the American military leadership, also caused serious friction between the two nations just as they were attempting to settle questions of long-term control over the liberated territories and the restoration of French sovereignty. While never denying the achievement of D-Day, or the bravery of the soldiers who took part, What Soldiers Do reminds us that history is always more useful—and more interesting—when it is most honest, and when it goes beyond the burnished beauty of nostalgia to grapple with the real lives and real mistakes of the people who lived it. “Many will appreciate this nuanced history of sex, war and power.” —Times Higher Education</div>

What Soldiers Do

<div>In fin-de-siècle France, politics were in an uproar, and gender roles blurred as never before. Into this maelstrom stepped the "new women," a group of primarily urban, middle-class French women who became the objects of intense public scrutiny. Some remained single, some entered nontraditional marriages, and some took up the professions of medicine and law, journalism and teaching. All of them challenged traditional notions of womanhood by living unconventional lives and doing supposedly "masculine" work outside the home. Mary Louise Roberts examines a constellation of famous new women active in journalism and the theater, including Marguerite Durand, founder of the women's newspaper La Fronde; the journalists Séverine and Gyp; and the actress Sarah Bernhardt. Roberts demonstrates how the tolerance for playacting in both these arenas allowed new women to stage acts that profoundly disrupted accepted gender roles. The existence of La Fronde itself was such an act, because it demonstrated that women could write just as well about the same subjects as men—even about the volatile Dreyfus Affair. When female reporters for La Fronde put on disguises to get a scoop or wrote under a pseudonym, and when actresses played men on stage, they demonstrated that gender identities were not fixed or natural, but inherently unstable. Thanks to the adventures of new women like these, conventional domestic femininity was exposed as a choice, not a destiny. Lively, sophisticated, and persuasive, Disruptive Acts will be a major work not just for historians, but also for scholars of cultural studies, gender studies, and the theater.</div>

Mary Louise Roberts
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Books By Mary Louise Roberts (3 Books)

D-Day Through French Eyes

What Soldiers Do

Disruptive Acts

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© 2024 OPEN ROAD INTEGRATED MEDIA

Books By Mary Louise Roberts (3 Books)

D-Day Through French Eyes

What Soldiers Do

Disruptive Acts

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