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Schubert's Instrumental Music and Poetics of Interpretation
Rene Rusch
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Jean-Luc Godard, Cinema Historian
Michael Witt
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Early Cinema in Asia
Nick Deocampo
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Music as Philosophy
Michael Spitzer
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Virtuosi
Mark Mitchell
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Menahem Pressler
William Brown
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A Reader in Animation Studies
Jayne Pilling
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Shostakovich's Music for Piano Solo
Sofia Moshevich
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The Death of Character
Elinor Fuchs
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Rachmaninoff's Complete Songs
Richard D. Sylvester
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Miles Davis, Miles Smiles, and the Invention of Post Bop
Jeremy Yudkin
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The Rite of Spring at 100
Gretchen Horlacher
Maureen Carr
Severine Neff
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The Notation Is Not the Music
Barthold Kuijken
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The B Word
Maria San Filippo
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Psychedelic Popular Music
William Echard
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Focal Impulse Theory
John Paul Ito
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Mastering the Flute with William Bennett
Roderick Seed
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Meantone Temperaments on Lutes and Viols
David Dolata
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Provenance and Early Cinema
Tami Williams
Paolo Cherchi Usai
Joanne Bernardi
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Guide to the Pianist's Repertoire
Wesley Roberts
Maurice Hinson
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Re-viewing Fascism
Piero Garofalo
Jacqueline Reich
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Three Midwestern Playwrights
Marcia Noe
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The Pianist's Guide to Pedaling
Joseph Banowetz
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A Case for Charpentier
Carla E. Williams
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Storytelling in Opera and Musical Theater
Nina Penner
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Global Perspectives on Amateur Film Histories and Cultures
Enrique Fibla-Gutierre ...
Masha Salazkina
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The Worlds of John Wick
Caitlin G. Watt
Stephen Watt
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Bach's Cello Suites, Volumes 1 and 2
Allen Winold
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Batman's Batman
Michael E. Uslan
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Music of Azerbaijan
Aida Huseynova
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Music and the Skillful Listener
Denise Von Glahn
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Bartok for Piano
David Yeomans
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Piano Duet Repertoire
Cameron McGraw
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The Image in Early Cinema
Tom Gunning
Philippe Gauthier
Scott Curtis
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Remixing the Classroom
Randall Everett Allsup
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A Theory of Virtual Agency for Western Art Music
Robert S. Hatten
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Representing Islam
Kamaludeen Mohamed Nas ...
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Art in Motion: Animation Aesthetics
Maureen Furniss
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The Performing Pianist's Guide to Fingering
Joseph Banowetz
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Becoming Clara Schumann
Alexander Stefaniak
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